Animation:Master
News and Information
Subforums
-
- 143
- posts
-
- African grey?
- By Fuchur,
934 topics in this forum
-
- 1 follower
- 8 replies
- 1.3k views
Maybe a stupid question...but here goes: Is there a simple and preferable one-click solution to clean up images loaded into a project? That is: deleting unused image files from project?
Last reply by Tore, -
- 3 replies
- 780 views
I'm not starting it or organizing it or anything but... since there is going to be an A:M Version 19 it is quite likely there will be a V19 mascot contest sometime soon. Our A:M modelers (that would be all of you) may wish to start thinking of ideas for entries in that regard.
Last reply by robcat2075, -
- 10 replies
- 1.2k views
Does anyone have insight into this? Here is the outline of an X I have made. All the corners are Peaked CPs. X_outline.mdl If I use the Y key to add a CP on a spline, that should be a default CP with zero bias. If I add a CP on one of the short splines ( see A) and smOoth it with the O key it behaves as I expect, the two new spline segments are as straight as the old one. If I add a CP to one of the long legs of the X and smOoth it, it gets a twist to it (see B ) The default behaviour for a CP with zero bias is that its bias handle should be parallel to a line drawn between its two neighboring CPs but that is not happening in case B. Any …
Last reply by Rodney, -
- 11 replies
- 1.2k views
I am realizing that this simple concept (Bone Falloff) is eluding me in ways I can't quite express. Is there a reference or example of ideal use for Bone Falloff? Alternatively, perhaps someone can walk me through a basic usage scenario? This is opposed to CP weighting except that I assume CP weighting is actually a means to define/refine Bone Falloff. Sorry if this is too vague a question. It seems to me that Bone Falloff should be a very simple concept and yet that simplicity eludes me. As such I'm looking for a very basic use case/example that demonstrates the basics.
Last reply by Rodney, -
- 1 follower
- 3 replies
- 1.1k views
I have this train wagon. Modeled and UV mapped in Blender. Texture painted in 3D-Coat. Imported as .obj into Animation Master And confirmed that UV's are ok: Everything is nice and tidy and okay UNTIL.... ...I render the train in the final scene/choreography. Then an extra white line magically appears on the roof!!! Where does it come from?? Anybody have any idea??
Last reply by Tore, -
- 1 follower
- 9 replies
- 2.9k views
Have just updated to 18 n 64bit (installing on my Win10 went okay), but the bug that makes it impossible to select and move points and objects, make this version impossible to work with. Wanted to switch back to 18 m, but couldn't find it anywhere on the FTP. If I download via the link in the forum announcement of 18 m, I get 18 n. Help anybody?
Last reply by Jason Simonds, -
- 2 followers
- 8 replies
- 1.2k views
I-
Last reply by Shelton, -
- 1 follower
- 14 replies
- 1.5k views
This has had me puzzled for some time. I have a scene where the camera cranes down toward an object. The frames 0 + 2-10 renders normally, but frame 1 takes ages - at first I thought that A:M had crashed, but then realized that it just rendered and rendered and rendered and rendered...even if nothing at all is in the frame. The culprit seems to be the displacement on the object. If I turn of the displacement (or change it to bump) the long wait on frame one disappears. But why, oh why? What is happening in frame one?? Why ONLY in frame one? And why superlong rendering in an empty frame? If anyone like to take up the challenge I have attached all files here.
Last reply by Tore, -
- 1 follower
- 1 reply
- 784 views
double post please delete
Last reply by itsjustme, -
- 12 replies
- 1.7k views
I don't know about you guys, but I'm really struggling to repair normals when they appear like this on the screen. V 18 is what I'm in. ALSO....A great feature request would be to have an option to color the patches "red" or "blue" depending on what direction. Then have an option to "flip all red" or "Flip all blue" THAT WOULD BE GOLDEN
Last reply by detbear, -
- 2 replies
- 1.1k views
I have never seen this tool tip text before. It appears while doing a shift-Q render.
Last reply by nemyax, -
- 15 replies
- 1.6k views
I'm trying to resolve the lighting on my dancing figures. Initially I constrained the lights to the nody null so they would follow the figure around, That made the lights look too kinetic. Then constrained them to aim at a null and asnimated that to follow the figures ( hand keyed on the null ) but that appears to lead to unwanted overlaps or underlaps Can anyone suggest a suitable method ? What I am after is a stage show type effect with each character being lit be a follow spot. At present there are seven sets of two lights , one for each figure, and I am keying them on and off at suitable points. Any help gratefully received simon
Last reply by Simon Edmondson, -
- 33 replies
- 6.5k views
Hello Animation Master.., recently I formatted my computer again, I'm on WinXP, remembered my last win_host_id.zip I received from you, started the procedure and ended up in a corrupted zip file. No, it's the last winzip,so that's not the problem. So I sended an email to the same person I did two years ago, yes, my archive is OK, and was backdated to the question who I am? Which program do I use, what's the serienumber, do I have a license? I'm sorry for the trouble I cause, but my simpel question is, Could you please be so kind to send me a new win_host_id.zip file so I can return it to you for a lick.file. I know my email adress is changed, du…
Last reply by Rodney, -
- 11 replies
- 1.4k views
It seems like the spline architecture has radically shifted. I've been noticing strange weirdnesses over the last few updates and it seems that they don't behave as they once did. I tried to simply combine two splines on my most recent model and the bias handles remain separated for some reason on each side resulting in a "peak." This is not ideal if you want a flowing line. Attached shows the splines/ bias....before and after joining. This is very weird.
Last reply by yoda64, -
- 12 replies
- 2.5k views
I find that some obj models simply refuse to import/ convert into A:M even if their file size/ complexity is radicaLLY reduced in the exporting APP. I would expect long conversions for high meg files, but these are as low as 3-9 megabyte obj models. I'm sure that there are many factors that I'm unaware of in this process, but at the same time much more complexed models transfer easily at times. I wonder how to improve this if possible. I'm happy to have the obj import option for sure, but it just won't import certain models. It seems to hate any triangles whatsoever. Would love to hear how you other guys are importing obj's, 3ds's, etc.
Last reply by Rodney, -
- 6 replies
- 1.2k views
My computer died and I haven't subscribed for years. Do I need a disk in the drive? Does a new subscription mean I have to start all over? I do still have my subscription serial number. Does that still apply. Its a long story, but 2 years ago I got mugged and had a fractured skull. I have a bit of memory loss. But I'm doing good enough now to come back to A:M. Miss u guys!!!!!! and girls!
Last reply by itsjustme, -
- 2 replies
- 912 views
Is MDD the only sequence importer in Hash. I was hoping to import an OBJ sequence. Is that possible?
Last reply by John Bigboote, -
- 9 replies
- 1.7k views
I was rendering a shot with a glowing object and I noticed that Screen based AO causes a 'banding' in the glow/ halow/ orb is present at the end of the last render pass. I wonder if this has to do with a setting or just a casualty of using screen based AO.... The glow is looking great until that last pass finishes and the AO is added in. I'm in V18. I increased the multipasses but that didn't help. Both with and without motion blurr carries the same results.
Last reply by detbear, -
- 11 replies
- 1.2k views
I must be remembering incorrectly but... I thought when we hid Control Points in a Model or Project and saved the files they remained hidden when the file was opened again. Apparently I just imagined that because a test in an earlier version behaves the same as current version. I must be thinking of Locking CPs. Any thoughts or redirections? I've been using hidden CPs in some experimenatal ways but if they return to visible state when a file is reopened (after saving) that defeats a key part of the experiment.
Last reply by Rodney, -
- 1 reply
- 689 views
I notice that when I choose EXR file to save a frame, there is no "shadow buffer" to select. Didn't EXR have this option in the past? It's been a while since I rendered this format, so I may be missing a step somewhere.
Last reply by Fuchur, -
- 4 replies
- 1.2k views
Hello. I just returned to the A:M Forum because something weird happend to my 3D viewport. A red font apeared on my screen (I don't even know what I pressed, but it suppose was a big mistake and I know it has to do with keyfreaming). I think this is a very stupid question but how do I get that off? I would be glad if you could explain to me. If I'm not very clear, here's the thing Im talking about.
Last reply by robcat2075, -
- 7 replies
- 1.7k views
When I saw the new Pluto pictures from the New Horizons probe... I thought, "Hey, I've seen that before." Pluto resembles the A:M "Dented" material... PlutoDentedTexture.prj
Last reply by Tom, -
- 3 replies
- 999 views
I'm trying to simulate the diffuse light from the illuminated sign on the top of my Checker cab with an array of small kliegs. I've worked out a chart of all the aiming angles I need. As I import each light instance as an action object they come in with Rotate X, Y & Z = 0 then I type in my desired angles and the lights snap to those values. But if I change my mind and type in one new value, like Rotate Y, all three rotate values automatically reset to new values. They're obviously not random because the orientation of the light doesn't move so it's like there's a function running in the background that automatically re-calculates the datum for each axis. It's a minor…
Last reply by R Reynolds, -
- 9 replies
- 2.1k views
Hello, In the windows of Decals, I have a way to detach CP of each other (Ctrl click). But I don't find a way to paste them again. Is it possible? It is also possible to exclude a patch of Decals (Remove decals...), but I don't find a way to import a patch in Decals. Is it possible? I ask this, because when I modify a textured model, I lose patches in Uvs. So I try to found a way to repair the UVs. Thank you in advance for the answers
Last reply by Malo, -
- 1 follower
- 4 replies
- 1.2k views
How do A:M subsciptions work? Does the software stop working after the subscription period? Or do you just not get software updates after the subscription expires? Thanks! Bryan
Last reply by Fuchur, -
- 2 replies
- 815 views
I've added light sources to the headlights of a car so it can do some night driving. They work well on most of the scene but don't show up on a building that has a light list. Typically to fix this I'd drag the chor instance of the light into the building's light list. But since the light is a bone within the car it doesn't have a chor instance to drag. Anyone know of a work around? Thanks.
Last reply by R Reynolds, -
- 1 follower
- 1 reply
- 1.1k views
Another quick question: since A:M is patch-based-- can it import polygonal models? Thanks! Bryan
Last reply by robcat2075, -
- 1 follower
- 8 replies
- 1.8k views
Steve and I have been using poses in models to compose larger models -- even whole sets -- from smaller models. This is very useful to avoid creating multiple copies of mesh, as well as allowing an easy way of turning on and off various parts of the model. Here are the requirements that we had when the pose idea came up: Avoid having multiple copies of the same mesh. If there are 18 chairs in the set, there should not be 18 copies of the mesh in some model. Ideally, they need to be configurable for different situations. For example, we don't want a separate set for the coffee shop before it opens (less clutter) and after (more supplies, etc. laying around and on …
Last reply by fae_alba, -
- 3 replies
- 921 views
Hi there, I am doing a charakter which will have also hair. Does anyone have some good settings for the material properties to make it look nice and real? I am just asking in order to save some work on experimenting and searching for propper settings. Thanks already! Heiner
Last reply by Heiner, -
- 8 replies
- 1.8k views
Hi, I have just a few minutes ago completed a new construction I created in A:M, brought over to Makerware and printed it out. It worked very well . It is a door traffic light. This is how it looks in A:M and in Makerbot / Makerware: And here you can read more about how it turned out and what it does with more images: http://www.patchwork3d.de/blog-5-en/complex-3d-print-door-traffic-light-677 See you *Fuchur*
Last reply by pixelplucker, -
- 4 replies
- 906 views
Hi there, after having another look on the description of the Flatten command, I thought to myself, that this could solve much of my UV problems. Then I tried again, and like the 150 times before, it did not give me the results I expected. With lots of shifting, tilting, rotating I was finaly able to get a decent result with a open cylinder, but it was so far away from beeing a workflow one wants to utilise :-( Has soeone a decent tutorial on this, maybe even a video tutorial? Then, the manual says that flatten uses a invisible cylinder pointing along the Z axis in order to flatten the model. Maybe if that invisible cylinder would be made visible, the process woul…
Last reply by robcat2075, -
- 8 replies
- 942 views
Hi there, currently I am sort of very active, because after long time working with another app returning to AM feels realy rejuvenating! Regarding my problem: Is there any rule how many smartskins can be on one bone? I am asking because i managed to put two on one bone, but currently it seems as if AM lets me only use one and no more. Cheers Heiner
Last reply by Heiner, -
- 2 replies
- 1.9k views
Continuing down my road of memories while I pack for the big move.... One of the first "Third Party" training books for A:M... And the Pro Series Videos, for all your learning needs... If I come across anything else I'll post some pics up. I think I might still have the boxes from when I first purchased Martin Hash's 3D Animation Pro (before combining the "consumer" and "pro" versions of the software using just the name Animation:Master, which was the name for the "pro" version originally).
Last reply by Rodney, -
- 44 replies
- 3.1k views
Working in V17g with OSX 10.68 Still trying to finish this project ( in amomgst a lot of other thing ) Presently putting in some blink poses an odd render problem seems to have occurred ? You can see that theres a non white sector in the Left eye ? and the boundary box around the selected CP's. If I hid the other cp's and render again this happens, No miscoloured patch. Nothing else has been changed, only the other cp's are not there. Can anyone kindly suggest a cause and solution ? simon
Last reply by NancyGormezano, -
- 5 replies
- 904 views
Hi there, by accident, I changed the display of bones in a mode, where they get displayed as sticks only. Up to now I was not aware that this is possible ... Where and how can I reverse that so they get displayed in their usual elongated diamond shape again? Regards, Heiner
Last reply by robcat2075, -
- 6 replies
- 1k views
So, I'm getting ready to move and as I pack things up, I'm coming across some old (older?) stuff.... Here is what the printed A:M Manual to v8.0 (circa 2000) looked like. And here's how thick it was...
Last reply by Rodney, -
- 9 replies
- 1.2k views
Not sure if this is an ATI thing or something with the last couple of updates but when I move a ruler guide I get poor refresh and mouse trails. It clears as soon as I let go of the guide. Anyone else have this?
Last reply by pixelplucker, -
- 5 replies
- 1k views
I'm running through the additions to v18M and am enjoying what I've seen thus far. It should go without saying that the TIF and PSD format plugins are much welcomed additions. (and for those of you that need to use an earlier subscription version of A:M it works well with those too. I was initially scratching my head about the 'Respect Z Order'/Shaded Mode selection option... it wasn't until I went back and read the changelog again and started experimenting that the lightbulb turned on. The main benefit at present appears to be for use with decals (nice!) but I've already used it to quickly work through images stacks too. I may leave that thing on all the time**. …
Last reply by Rodney, -
- 15 replies
- 1.9k views
Is there currently any known problems with it? Just asking, maybe someone knows ... However I already send a email to support as well. I attach the error I am getting ... Cheers Heiner
Last reply by Heiner, -
- 4 replies
- 827 views
I find these days I rarely need to use the default 'Replace' and tend to use 'Add' as the Blend Method for actions. I'm pretty sure I've changed the default blend method before but can't recall how to do it now. Or did I just imagine that. Thanks in advance.
Last reply by Rodney, -
- 11 replies
- 1.4k views
Working in V17G under OSX 10.65 A problem not previously encountered. Going through a chor in the PWS and trying to set the keys using the pose sliders in the properties box. Working fine until, a short while ago, the mouse disappeared after every click. Went to the desktop and it was there and available, just not in AM ? Reverted to using the pose sliders window rather than properties and it seems OK. Soes anyone have any ideas as to what might be causing the problem ? regards simon
Last reply by Simon Edmondson, -
- 6 replies
- 1.1k views
Hi A:Mler, for everybody in a german speaking country it may be interesting to know that there will be an article by Ralf Gliffe about Hash Animation:Master v18 in the Digital Production 04:2015 (the biggest german magazine about 3d-graphics and post production, http://www.digitalproduction.com). It will be about 5 pages long and will introduce quite nicely into the world of A:M. If you can't grab an issue at the kiosk, you can get it directly on their website. See you *Fuchur*
Last reply by Fuchur, -
- 1 follower
- 18 replies
- 2.4k views
I'm not sure if anyone else has experienced this, but it seems as though SSS negates smoothing using "averaged normals" or Porcelain (same thing done as a material). Also, "average normals" and Porcelain appear to give slightly different results even though they should be the same. Anyone know how to get around this? Here are some examples (the names of the files denote the settings):
Last reply by Shelton, -
- 15 replies
- 2.5k views
I recently contacted Barry Zundel about his A:M tutorials and he said that he has just posted them online for all users, free free free !!!! I am very excited about these. He gave me permission to post this on the Forum, so here it is: http://barryzundel.blogspot.com/p/animationmaster-2005-tutorials.html thanks, Adam http://www.totallypunk.com http://www.secedefromtheunion.com
Last reply by Xtaz, -
- 5 replies
- 835 views
I've encountered a similar problem before and my apologies for asking again. I'm trying a technique whereby I draw with oil pastels on clear plastic, photograph it and import into AM for use as a Cookie Cut decal. I made a little run sequence, converted it to png files with a background in each frame of pure white ( 255,255,255 ) applied that sequence to a flat with the white selected as the key colour. The first frame was as expected The second came out solid rather than cut I will go back tomorrow and convert them to alpha backgrounds but, in the meantime, can anyone kindly suggest what the problem might be ? regards simon
Last reply by Simon Edmondson, -
- 4 replies
- 1.3k views
Gerry Mooney asked: If Tatooine has two suns, why doesn't everything have two shadows? To test this I set up a chor with two lights, each about 0.5° in width (similar to our own Sun) as seen from the center of the Chor, and about 1.5° apart (as suggested by images in Star Wars. PRJ: TatooineTest02.prj (Move the suns by rotating the nulls at the center of the Chor.) When the suns are low in the sky, 20° above the horizon and can cast long shadows, the two shadows are very close together but visibly distinct: When the two suns are high in the sky, just after local noon, the shadow difference is barely visible:
Last reply by Xtaz, -
- 7 replies
- 1k views
Does anyone know what might be causing this? Up close the transparency map I'm using is working correctly. But from a distance, not so much. I've used transparencies before without this issue, but no matter what I try it's displaying the hair strands as if I made a space at the end and then continued.
Last reply by Wildsided, -
- 8 replies
- 1.3k views
It's always a good idea to save your files... that and close all the hundreds of other programs you've forgotten to close... you know... to free up memory. I think this guy was anticipating what was about to happen to him so I took a screen shot of the only thing left of him when things went south. So, don't forget to save your work! P.S. I'm still waiting for Windows to notify me of the solution.
Last reply by Rodney, -
- 15 replies
- 1.6k views
fake-riddle )) zip=rar VolumeShaderFake5a.zip
Last reply by johnl3d, -
- 5 replies
- 1.2k views
Hey guys just reporting this ( is there a forum for errors and bugs for AM I am unaware of - or how do we submit these to Steffan ? ) Any hoo, Mac AM, running on Yosemite - when I import in any bitmaps as rotoscopes or decals they come in garbled as jpegs / pngs, the old tga seems to work some what and somewhere in this routine also causes crashes - especially when you want to delete an image . . . any clues ?? When you toggle between OPENGL & OPENGL3 in the options, its refreshes the image . . . then crash . . . just converted image to TGA and so far no crash . . . yet . . . it feels like I'm running AM through a virtual OS running on my Mac . . . I think I nee…
Last reply by markw,
