robcat2075

What sort of a foot are you going to put this on? The Hand Gizmo is about quickly making poses that you need long fingers and a thumb to make. It wouldn't' be much of an advantage for a typical foot.

that looks real fine. So German planes were being built in the Netherlands?

That looks sharp. Keep on flying!

How does the front-projected toad generate toon lines if he's not there? All wonderful looking!

That's looking real good. I agree you might need more splineage to support eyebrow movement, but you'll find out either way when you get to that.

"Polygon Modifier" is obsolete and doesn't exist under A:M's Simcloth anymore. I'm not even sure what it did. Pass thrus... first tactic... increase collision distance. There may be a "normal" direction issue I've had success with scaling models larger so that large collision distances appeared small. http://www.hash.com/forums/index.php?s=&am...st&p=279088 Simcloth in 12w... not sure about that.

that's fabulous! We're all proud of you!

Not normally. Something more is wrong. You may have to tell us more about what you're doing.

One thing that worries me is you say you've "uploaded" the sound again. There is no "upload" in A:M. You can "import" a sound but since you're not describing that right, I wonder if there's some other detail you're not describing right that's stopping us from seeing what's wrong. Logic would tell us that since the program is the same one you installed and it worked before... it's not the program that stopped working. You've changed something. -Do a Help>reset all settings. restart A:M and reload your PRJ. -Here's another test... can you start a brand new fresh project, import a sound file, put it in a blank chor and hear it play there? -last resort... Do Project>Embed all, save it, and post it AND the sound file here and someone might be nice enough to look at it.

As far as I know a Hash employee, Steve Sappington, did the TAoA:M videos. There are plugins available for A:M, for example these, but they are mostly free and you won't need them for TAoA:M. They are convenient, but not necessities for getting something done. The only major accessory you need with A:M is a paint program if you want to make decals.

The problem with this topic is that there are about five things you need to know, but no single one of them appears useful or makes sense unless you already understand the other four. None of them are particularly difficult but no matter which order you cover them in, you have to slog thru four before you get to that AHA! moment where you see that they all really do have some relation and they are all useful. - more likely a "bone" not a "control point" - the middle option, "branch" will key all children of a selected bone, not necessarily all connected bones. I never use it because in modern rigs bones that appear to be parent and child may not actually be so. Bones I might expect branch to key might not. So when need to key a whole arm or hand I explicitly multiple-select the bones I want and use the single bone filter.

Tell me more about what doesn't work. Here is the link. We discussed this but I never got a solution. http://www.hash.com/forums/index.php?showt...mp;#entry292993 As I recall that one was a a somewhat different issue of trying to force keyframes (with the Offset button ON) when switching from an action to keyframed action. An Issue, but I don't have V15 to do testing with. Go do the keyframe test I just posted and let me know what happens.

While you have a pose window open, a phantom action also appears in the Actions folder. go down to it and turn on "Show more than drivers". this will expose the bones of the model and you can turn their "eye" icon on and off to key their visibility for various settings of your pose's slider (or ON/OFF switch). This phantom action will disappear when you close your pose window.

important phrase highlighted. By moving the pivot away from the on CP of that one-CP group, the axis of rotation is somewhere other than that CP. This means the CP will move around that point when you use the rotate manipulator rather than just rotate in place, which it would do if the pivot and CP where in the same spot. He's showing that you don't have to accept the default center of a group when you do rotation maneuvers. You can move the pivot anywhere if you need the group to rotate around a special point.

I'm not convinced it's the best way to explain it either. This chart shows the "what" but not the "why". My video tut is more about the "why" but people aren't getting that either. This filter thing seems to be something that a lot of people aren't getting, but I'm not sure of how to state it in a generalized way that everyone can apply to themselves.

Tell me more about what doesn't work.

What is this "tap" thing of which you speak? It is strange to me. I know not of it.

Indeed there is. Remember in TAoA:M it showed you how to apply a decal to the giraffe? A video can be a decal too. (If you've been putting your video on a layer, I'll presume you know how to import an image and all that.) In your model window hide everything but the surface you want the video on. ->New>Decal>choose video from list of images apply like any other decal.

Does this sort of thing make sense?

Another great looking character!

you can expand any item in the PWS and click on any element to see an individual curve. You can CTRL-select any arbitrary set of elements, even from different models, to see those curves displayed together.

Is this what you are trying to do? CameraPanDolly.zip watch it from the top view.

the model doesn't seem to be embedded in that PRJ. My first guess is that the finger bones are not children of the bones they should be children of.

That one is so graphic that you can probably get away with a lot of things that you can't on a realistic looking character. on the walk... (I realise this may just be a rendering test, but FYI...) : - he's walking with legs that are always bent. On a "normal" walk the leg is nearly straight when the heel hits. then... -his body is rebounding from the very frame that the heels hits. You're missing the compression pose. The body will continue down a bit after the heel strikes because it takes time for the leg to bear the weight and push him back up into the next step. Richard williams talks about the walk poses in his book and I do in my walk posing video too.

I dont' have the latest version of that book. could you quote a sentence or two?