robcat2075

What exporter did you use? I tried PLY and i couldn't get the corners not get rounded when I brought it back in, no matter what setting I used for the "peak if greater than" angle.

I suspect there will be some resplining to do, but do the eyes before you bound further.

Those look cool Rodney. Could you explain more how you got from the first to the second?

that looks sharp! How's the render time on a frame like that?

Cookie cuts have been around longer than multi-pass so they ought to work. Someone should make an AMReport if it hasn't been done for V16 yet.

And if you are determined to model it, here's how to do it in A:M... RaggedEdgeCones.mov Note: when I was using the Scale manipulator, i should have held down the SHIFT key to force it to scale uniformly. I also don't think I needed to scale the last ring to 0 on the Y axis, I really should have just moved it down low enough to hide it inside.

Mine? Yes, color map, it just adds some darkness to the recesses.

that looks very cool, Nancy!

Solution.... Displacement maps require that you render with multipass ON.

Ah ha!... I think that's it! You have to use Multi-pass with displacement!

redid the maps from scratch Needs conditioner.

Testing a bit further I can't get it to work in Final render mode. Stay tuned.

Could a few people try this displacement map test? Load DisplacementShadingTest.prj and compare a Progressive render with a Final render. DisplacementShadingTest.zip I don't recall this not working before but i can't get this displacement map to shade properly in Final render In progressive render I get an expected result.... But in Final render i don't get the shading...

I didn't get the proportions of the ragged edge right, but I think this approach would work... In photoshop i painted a black-to-white gradient, copied it to several layers and overlapped them. Then i cut a ragged edge off the top of each one with the selection tool. That made my basic displacement map. I put that through the "highpass" filter to get a fake AO shadow look for the crevices. I used "Curve Adjustment" to clip out the excess white that creates on the high spots. That map is used as a regular color map. I added "grain" noise to the displacement map to make the unragged surface look rougher. Those were cyl mapped to the shaft. HairShaft__2_.zip A:M history note.... a long time ago, maybe v5, there was a randomize CPs feature. I made some asteroids out of spheres with it once. It randomized in all directions however, you couldn't limit it to one axis.

Here's what I find when I look up "Hair shaft"... The first one I'd be tempted to try some "hair" solution rather than modeling it. The second and third ones are good candidates for a bump or displacement map treatment. Can you show the picture you are trying to reproduce?

you said "see attached". I was expecting a picture of something?

While looking for another long-lost feature I got out v8. Here is what "Interrupt Drawing" looked like in the year... 2000. InteruptDrawing.mov

yup there's a sample here... http://www.hash.com/forums/index.php?s=&am...st&p=347067

Netrender must render to an image sequence. It assigns the next needed frame to the next available node. For animations that have sound A:M creates a .sinfo file that helps sync up existing audio files with the newly created image sequence when you import it back in to A:M.

attached?

A:M implements the most accurate compression schemes of OpenEXR, which i believe use 32-bit floating point numbers for each channel (except PXR24) A 32-bit floating point channel should make for a very, very long gray scale. A:M doesn't implement the "lossy" B44 and B44A, AFAIK. You can read about all OpenEXR's compression options in this PDF under "Data compression" I dont know of any format that uses a 48-bit integer for each channel, is there one?

By "48-bit" do you mean 16bits per RGB channel (3x16=48) or do you mean 48bits per each RGB channel?

Any reason not to use 32-bit v16 for that?

In a basic fashion, you can select, cut and paste portions from one QT player to another and resave the result. I do this on occasion to quickly trim or combine footage, but it's not like working in an NLE. I also like QT Pro's ability to extract the audio or video tracks from a file separately. But mostly I like QT Pro for being able to import and export many formats and having the most options for compressing things.

He's looking real good!