robcat2075

Correct. That is TSM2 0% is the default length of the leg Greater than 0% is longer Less than 0% is shorter TSM2 normally creates a 0 to 100 slider that lengthens the leg a large amount. I found that not useful and edited the Pose to just do slight scaling on a -10 to +10 scale thanks!

Here is a run-through of what Rodney and Gerald mentioned... clip4270CameraonPathAimAt.mp4 This video demonstrates Aim At constraint Path constraint Compensate mode button re-ordering constraints forcing Save

Welcome back! you can right-click in the model window and choose Plugins>Export for a list of export options. OBJ export was in v15 but later versions give you the option for more subdivisions than 4x4

If you wanted to bring this to Live Answer Time I think we could make a substantial improvement in how that horse is working.

Here is a brief screen capture that shows such a thing at work... clip4267LegScaling.mp4 thanks!

And just to further clarify... the knee "pop" we were talking about is not the "IK knee pop" one usually thinks about as "knee pop" What we are looking for is a way to slightly scale the length of the thigh and calf (but not the foot that is a child of the calf) to fine tune where the knee is during walks.

Eventually, i got an extra, bargain bin, no-box CD drive from the computer store and left the A:M CD in that drive all the time.

OK, I discovered what the problem was. The "computing dynamics" message was not about dynamic constraints. It was about some hair in the scene. But I had done a "reset settings" on A:M previously so the "Draw" tool bar with "Show particles/fur" button I would normally have visible was not there to remind me that hair was ON and the hair itself wasn't obvious in the part of the scene I was examining. Shift+8 to toggle hair ON/OFF.

It's all a matter of degree, of course, and a trade off between accuracy and convenience. that said... it just doesn't look right to have the feet sliding sideways while that horse turns a corner. It's OK to modify the model and resave a version that works better for that shot... and just use it for that shot. But... gun to my head... if I absolutely HAD to get this shot out somehow without fixing the feet... I'd find a way to frame it so the feet are not so obvious.

The Chor Properties>Dynamics>Display While Simulating ON/OFF switch doesn't seem to turn off the computing of dynamics wait time.

update: solved. See post #4 Is there a switch that stops A:M from "Computing Dynamics" when I'm scrubbing through the timeline? Something besides turning off every dynamic constraint in the models.

Definitely looks like a Normals problem

How is that horse rigged? Does it not have IK feet? Or is this a walk cycle and you are moving the model while it cycles?

As far as I know, splitpatch is just a simple geometric subdivision. They are usually not very visible after the simulation and they typically end up in places that would be a crease in the cloth anyway. Probably, but i don't have a program to do that. The most significant problem with SplitPatch is that it will sometimes create what looks like a single continuous spline but it is really two or more separate splines that share endpoints.

Looks like I had "Allow Embedding" off even though the embedding seemed to work when I tested the page.

A:M itself is single core for most things including rendering. There is a multi-core setting in the Options panel but multi-core is only used on internal house keeping things like like spline and patch management, and not renders. NetRender lets you make use of all your cores, of course, when you have more than one frame to render. But inside A:M, one core is doing the rendering for what you see on screen. Keekat has a complicated Material on him with lots of nested gradients that makes him Final Render tediously slowly. If you want to see a fast result onscreen, do Shift-Q and right drag a bounding box around any part of the screen to get quick feedback on a lighting change or anything else that doesn't show in real-time renders. Or, if the KeeKat material is not crucial you can delete it and replace it with something simpler. Here is an alternate KeeKat material that has a similar look but is faster rendering... KeeKatSimpleFur.mat

Welcome back to A:M! If you ever have questions, this is the place to bring them! Oddly enough, the cat in my name is not about cats, although I am a cat (and dog) person.

Here's another old toon project from 2004. I was trying to make model that would toon-render to look like the giant bird Taarna rides in "Heavy Metal"

The workflow has been the same since v11, which is good. You should find no surprises there. That is a rather old item. It's not like modern terrain generators that grow trees and everything.

I recommend the annual subscription. It's inexpensive and keeps you up to date.

For me, it's stability and speed. In the bad old days I remember feeling like I needed to save every 2 minutes or risk losing something important. I don't have to do that now but if you're still worried, there's an automatic backup feature that will save your work every X minutes if you want that. And A:M is much faster now. It's not as fast as the competing GPU renderers out there but I'm not going to go relearn everything I do in 3D in Blender or Maya just to render faster when "rendering" is not the thing that consumes the most of my brain time anyway. NetRender is included now and works on multi-core CPUs so you don't actually need a "net" to use net render. Your 4-core CPU is now a render farm and if you want more, the cost a license for additional nodes is really cheap. Steffen Gross has done a lot of work on improving render A:M times...

For a heavy walk the feet need to solidly plant on the ground with no sliding. There will also be a span where both feet are on the ground not moving. Watch this guy's rear legs from about 1:14 on... the leading foot is always fully planted and stuck on the ground before the trailing foot is lifted up to move it forward. Same with the front pair of legs. https://www.youtube.com/watch?v=nwWBxQ74i6E Here's another good one... https://www.youtube.com/watch?v=1IMDtBmgFD8 Very smooth motion as each leg is lifted, moved forward, then pushed into the ground before the trailing leg is pulled up to do the same thing.

The character isn't rigged yet so I did some movement with a distortion box to test the cloth more... direct YouTube link Here is what the distortion box looks like... direct YouTube link

None, really, except that it was fast. Originally that character was going to have a modeled-on long-sleeve shirt, no simcloth, so what you are seeing is the old shirt sleeves turned to skin color to pretend to be bare arms. We haven't rigged the character yet and all the splines are still up for debate so I didn't bother to attach the hands for this cloth test.

Here you go...