-
Posts
5,786 -
Joined
-
Last visited
-
Days Won
58
Content Type
Profiles
Forums
Events
Everything posted by itsjustme
-
Looks great, Marc!
-
They were using the 2002 version of A:M in the Character Design tutorial...v10, I think. The video is 400x286 (Quicktime RLE compression) for the computer screen capture and 320x240 (Sorenson compression) for live camera capture. The Character Design tutorial is mostly live hand-drawn images recorded by an overhead camera, but there is a short section on preparing the rotoscopes in Photoshop and A:M. Hope that helps.
-
I just make a copy of the eye and position both eyes in the model accordingly, then I use the setup in the Squetch Rig for the rigging. In the tutorial I showed how to make the dilation muscle Pose, which is already in the Squetch Rig as an empty Pose. Squetchy Sam (current version in this post) has this kind of eye and is rigged with the Squetch Rig. Hope that helps.
-
I have the one for character design...I learned a few things from it. I can't comment on the others though.
-
Looks great, Steve!
-
Not a problem, Rodney. I hope they will help people avoid the numerous mistakes I make...I'm learning quite a bit from them myself.
-
I'll throw these together as well. Thanks, Robert!
-
Try flipping your normals...they might be facing inward. Hope that helps.
-
As much as I don't like doing them, I'll have to use a "stay alive" post for this thread again. This is the busiest time of year for me, so I haven't been able to get much done beyond the first bouncing ball exercises...I learned quite a bit doing those though, thanks to Robert. If I'm lucky, I'll get some time this week to get more things done.
-
I took a very quick look so far...I didn't see the problem until I set my project to 30 frames per second. The project should be 24 frames per second. See if that clears things up, Rodney. I'm still going to go over it to see if there is any error due to the moving of the "pivot" bone, so there still may be an issue to be dealt with.
-
The physical CD does exist, but it isn't necessary for running the program...the key functions like the subscription version except it doesn't expire.
-
I think I know what's going on in there, Rodney...I'll have to look at it tonight to sort it out. The moving of the pivot changes where the source of the squetch comes from, but it also moves the geometry some. I should have looked at the contact frames again to make sure everything was working correctly. Nice catch, Rodney!
-
Just to tie up the last bouncing ball exercise, I attempted to incorporate Robert's suggestions and get the origin of the squetch more accurate. I started the sequence at about 1/3 from the top of the arc on the initial drop, had the squetch start about 60% from the ground, moved the origin of the squetch to the center of the ball except on the contact frames and added some roll. The "aim at" constraint proved to be inaccurate in some situations (due to how the rig in the ball works), so, I just manually aimed the "pivot" bone using "Onion Skin" set to show where the ball would be on the following frame. Here is a ZIP with the ball, Choreographies, notes and renders. I've done some thinking about the next one...now I can do some more serious planning for it. bouncing_ball_exercises_02_with_notes_update.zip
-
The turtle is looking great so far!
-
At AnimationMentor the next assignment would be a ball bouncing off various walls and obstacles. The challenge is to correctly handle bounces and rolls off surfaces that are not horizontal. Also the ball had to jump off the initial surface on its own. That looks cool...I'll give something similar a shot.
-
It's a modification of a ball model that Robert made several years ago...the direction of squetch being independent of the rotation of the geometry is what I've added.
-
Very cool! I'll have to figure out the next thing to work on. Thanks for taking a look at these. The rigging on the ball allows the squetch to be independent of the rotation of the ball (although it looks like it contributed to the source of the squetch not being at the contact you mentioned...I'll have to do a little thinking about that). I didn't bother with the ball rotation in this one since the stripe was hidden. Here's a quick video showing the controls. ------------------- EDIT ------------------- I think if I animate the pivot point, it might get rid of the problem with the offset squetch source...I'll mess with that tonight. ball_squetch_controls.mov
-
Looks great!
-
I don't really have a great eye for this yet, so I'm still getting used to it. Initially, it felt like the ball hung in the air a little long, but the more I look at ball bounces, the more correct it appears. I added an on/off Pose for the stripe this time. I attempted to add everything suggested, we'll see if I was successful. Here's the next one with included notes, renders, squetch ball and choreographies: bouncing_ball_exercises_02v_with_notes.zip
-
That might be the best move, Robert. Here is what I got for those along with notes in HTML, renders, squetch ball and Choreographies. bouncing_ball_exercises_01v3_with_notes.zip
-
had a little time tonight and did this for my
itsjustme replied to johnl3d's topic in Tinkering Gnome's Workshop
I think it works perfectly, John. -
That explains it very well, Robert...it clears up some things for me. Thanks for taking the time on this. I'll do some work on this today. If I'm lucky, I'll finish another version and post it.
-
Lothario & Ida Do the Undie Cover Dance Thang
itsjustme replied to NancyGormezano's topic in Work In Progress / Sweatbox
That was a lot of fun, Nancy! -
Okay, I think I get it...this post that Yves made puts it into numbers. I'll fix this tonight.