robcat2075

Try deleting all your lights and put one new one in to start.

Hey, I see my jr. high gym teacher there! In the red shirt with the blue collar.

I know there isn't an explicit "Export Camera Data to After Effects" feature. There is a plugin by Steffen Gross to export for "Particle Illusion" and another that may work with Vue. But AE is, of course, primarily for 2D compositing. I have AE 5. I know the current versions have some 3D ability. Tell us more about a scenario in which that camera transfer would be useful.

How big is this thing ? In inches.

if you have an app like Photoshop the Image Size dialog will let you specify the "size" of an image without changing any pixels. It does that by changing the pixels per inch that the image thinks it is. I think you have to print from the same app for that to work.

You do have shadows ON in your render options, right?

That particular option shows up only when the Constraints filter (handcuffs icon) is on. Normally a bone gets keyed when it is moved. But if it's constrained to something else which moves, the bone won't get actual keys representing that motion (it doesn't need them, it's constrained). Forcing a key with that extra option will cause the bone to get keys equal to what the bone would have if it had moved to the new spot on its own. Then you can turn off the constraint and the bone will not jump back to its last keyed position.

I enjoyed that! Is there a Heineken commercial contest in progress or are you just a big fan?

Well, there better be bevels on all the edges!

Hallelujah!

I hope you're using the AI wizard.

Good looking character! That's a problem with the Phoneme method. It snaps to exact shapes and does that for every syllable. It works better in 2D than in 3D. In real life we mush them all together. A common work flow in 3D is to just animate the jaw up/down then when that looks good, add in more specific mouth shapes where needed. But jaw up/down can do a lot. That's all Muppets can do and they've done well for themselves.

That Desktop Composition thing worked for a lot of people (and you rebooted after that, right?) but... You could try these longshots: -View>Workbook on or off - Show Rulers on or off (it's a button at the top) -maximize or un-maximize (aka "Restore", not the same as "minimize") the window within the Work window -maximize or un-maximize A:M -Wireframe or Shaded/Wireframe view.

3000 patches shouldn't be too many, but you could work on a part of the model in another model window and paste it into the whole when you are done.

The Jacob's ladder is similar. But you've asked this before, no?

He's looking pretty good!

Yellow submarine!

He did warn us. He's just asking. Better to ask than get mad.

I'm not sure OSX had even been released when v10.5 was out. Your "orangutan" disc will also install A:M on a PC if you happen to have access to one. You can get the last update to v10.5 at the ftp page. I think 10.5r was the last one. Not sure if it was AM2002 or AM2003. The installer usually says what version it is doing. 10.5 was much improved over previous versions, but many bugs have been fixed and improvements made since then.

Great looking characters you're makin' , Gene. Should he have a big stitch mark across his forehead?

in the model window, flip the normals on those patches

I'm still not sure why you are using lathe and snap-to-grid together. If I select some points and then choose snap to grid, they snap to their closest exact grid points.

better show a pic. I'm not sure what you mean.

I haven't used premiere in a long time but way back when it had the ability to scale any video any amount vertically or horizontally. So I'm sure it does now. If your render isn't fitting your screen you can stretch it to do so in Premiere.

Great news!