itsjustme

It still needs some work, but, this is once again a good stopping point for this evening. He's got some flex in his biceps now, however there are still some minor things to tweak with them. I'll tackle some more tomorrow.

I forgot to fix the hands in v4, this version has the hands and forearms working better.

Another snapshot...the arms have a switchable IK setup of sorts, the squetch operates as an addition to the IK stuff (if you reach a limit of the IK setup, you can continue the movement using the squetch controls), I added a bicep roll target and rearranged the pose sliders some. There are still a lot of things that need to be done, but, it's more useful than it was and it's still got the squetchy toys to play with...it'll get better.

Once again, a good stopping point for the day. I went through all kinds of complicated crap and then realized a method that would probably do the job that I'm after easier. I wanted IK, so, here he is with a mangled version of David Rogers' IK leg setup (thanks for sharing, David). The squetch is still there, just unhide the controls in the pose sliders menu. What I did on this would be an ideal way to put standard muscles in a character as well...I'm sure it has already been thought of.

The knees and elbows should be scaling 50% of what the bones on either sides of them are scaling...at least I think it's in the second version (depending on the angle, sometimes the knee/elbow needs to be rotated using the null though). What I'm doing now is putting in a more standard setup so that you can animate him normally and then just distort the body part you want with a null, I should have something new posted in a day or so. Thanks for the input, Mark.

Very nice, Jin! The only thing that I'm wondering about is the window on the door, it looks like one piece of glass from the door into the body behind the door (I'm not familiar with how this car's windows look, so, feel free to ignore me)...I could just be looking at it wrong. I'm definitely looking forward to the tutorial!

Okay, a few improvements on this guy. I've got a lot more to do (and several things will probably change), but this was a good stopping point this evening. Anyway, something to mess with.

I just got a chance to watch the Expressions Tech Talk (124 MB download) and this is something I used to try my hand at it. Not a conventional rig, but fun to mess with. If you need an extremely squetchy character something like this could be useful. Just move the visible nulls around in an Action to get a feel for it.

Jim Talbot has some tutorials you might be interested in here. ---------- EDIT ---------- This tutorial might also be helpful.

Ouch, I double-posted....well, I'll split it up then. There's a Tech Talk on hair located here (201MB...pretty big file) that might help.

Very nice work, the only additional crit I have is that I would use a couple of hooks and/or route a spline from going to the lip to going under the nose to meet it's counterpart to reduce the number of splines in the top lip by a couple...I'm thinking you could get rid of two on each side. The lower lip is perfect though.

Very nice start, Madeline!

John, it looks like you're using Camstudio to generate the SWF and HTML...just a headsup, Camstudio puts an error on the size of your SWF in the HTML. If you put in the right dimensions it will fix the problem. When I set the width to 911 and the height to 690, it appears to be close. Also, if you record the tutorial as a Camstudio Lossless Codec encoded AVI, you can edit it using Virtualdub, save it as an edited AVI with the same Codec and then use "SWF Producer" (should be part of the package with Camstudio) to encode it as an SWF without any loss in quality. Very cool tute.

What Scott said...looks like it's turning out nice, is there an entire gas station?

That's very nice, Tom! Very generous too.

For anyone interested, I've posted a project with a rigged (and unrigged) head in it that will be the subject of the tutorial that I'm still putting together (I know, I'm taking forever). You can find it here: http://www.hash.com/forums/index.php?showtopic=13963 I will have the tutorial done soon.

Thanks for the thanks, I've improved this rig some since I made it and (hopefully) I'll have the tutorial up in a few days. I'll include a rigged head as well, that'll give you a better idea of the weighting and such. Sorry it has taken me so long...it's been hectic. For organizing your poses, select your model in the PWS, go to the "Properties", expand the "Users properties", right mouse click and select "New Property/Folder"...that'll give you a sub-folder to put things in. You can drag the poses around in the "Users properties" to suit your needs by grabbing the box with the arrows on it to the left of the pose name. Hope that helps.

There is a tutorial section in AM Films that isn't populated yet...actually, I think there is one tutorial in it at the moment. I'm hoping that when I get a video tutorial done that Hash will let me post it there, I haven't asked yet though. As soon as I finish the one I'm working on I'll e-mail Hash. The Camtasia codec needed to view the tutorials is free, the program to make the tutorials isn't. There are cheaper alternatives though, Capturepad is $25 and there is still a free version of Camstudio on the net if you hunt for it.

Thanks Rodney, I'm presently putting the video tutorial together...I've been pretty busy the past couple of weeks, but, I'll try to knock it out this week. I'm trying to keep it a small enough file so that it won't be too much for dialup, we'll see how successful I am.

Looks good...like I had any doubt. Keep up the good work guys.

Nice work so far, Pancho. The only things I would alter is I would end the splines that go into the top lip immediately to the right and left in hooks above the lip and I would use the rule of fifths to size the eyes...but, that may just be a style thing, so ignore me if it is. I usually work in OpenGL unless I need to decal something.

Wow, very cool stuff so far, David. Sounds like you're chugging along nicely too. I can't wait for the finished product!

Here's a simple project with a surface constraint similar to the forehead constraints in Bertram's head. In the Action in the attached project, move the "surfaceaimtarget" bone to manipulate the "constrainedbone" while keeping the "surfaceaimtarget" bone's contact with the geometry (if you don't, the "constrainedbone" will jump to it's starting point). I posted this here as an example to a question on surface constraints...and it applies to Bertram's forehead.

Okay, here's the entire face including the forehead/eyebrow stuff with the same audio and Action file included again. I think I cleaned out everything that won't affect anything in this project...if anyone finds something, I'll go back and clean it out. I left in the "forehead plate" that the surface constraints are tied to (that might also get rid of any unpredictability with constraints working)...I left it set at 100% transparency like it is with the actual model. If there are any questions, I'll try to answer them.

Nice guns....you've been working out, obviously. Here's mine.