robcat2075
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Posts posted by robcat2075
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Wonderful looking character!
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If you were open to a compositing solution, you could render the refraction (with no color, 100% transparency) as one pass, another pass to create a mask and use those two to composite you r refraction with some tint onto your scene.
I've done this is the past when volumetric lights created impossibly bright intersections.
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The cube on the right looks like it's taking "density" into account: the farther a light ray has to travel through a transparent material, the more of the material's color it assumes. Do larger cubes get even darker? That would be a good test.
In my example we're looking across the diagonal of the cube so the edges would be the thinnest and the center would be the thickest. The coloration of the cube doesn't indicate that, however.
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Since an IOR of zero
he really meant 1, right? there is no zero IOR in A:M.
To eliminate some variables I set all the lights to white. What I find incongruous is that even though the sky and ground are white behind the cube on the left, they don't get the same coloration from the transparency.
[attachmentid=16253]
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that'a cute one
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What am I missing??
It may have something to do with how you have set "UseSettings from:" "This dialog" or "the camera" on the Options>render tab
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can some one please tell me how you put a movie that you made on the forumrender it as a quicktime, less than 2 megs.
Use the "File Attachments" section of the Reply page to add it to your post.
The "Animation:Master" forum is the only one that can't do that.
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hey, that looks dangerous!
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I've heard that if I hold down either Shift or Ctrl and hit Y it will do it, but it doesn't do anything. I am using v11.1i
Stitch mode. Search "Stitch" in the Help docs. Has sample movie.
To keep the old curvature, you hold the Shift Key while adding the the new spline .
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When I download the SVN installer (I lost my old installation when I ghosted my OS back a few weeks ago) from the official Tortoise site I just get a 12KB file. I've tried it several times.
Is there another location to get this from?
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Fine looking stuff!
The bases of the wine glasses look dark, I suppose because they are "reflecting" the dark background, but I'd think more of the light table top would come thru.
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Hey, fine looking stuff! That's a feature-quality looking character! I hope this is a pilot for a series or something because I can totally see that.
One ani-bit... around fr. 22-23 his feet are leaving the ground flat-footed. If he pushed off with his toes leaving the ground last it would look like a more forceful jump.
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Good looking scene.
the lack of tension you are showing in the lines here
[attachmentid=15861]
is rather at odds with the tension you are showing elsewhere in the balloon.
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Displacement did work, but it was increadibly slow and it never reproduced the correct surface.
Yes I'm using V12.0u
That's the old displacement that only subdivides a patch. the per-pixel displacement is new in V13
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Can't make it again.
Sell the goat.
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That looks like fine blocking!
Between the anim and your notes I have pretty clear idea of what you are going for.
When you do get to the wings remember that their flapping will have a certain effect onthe body. When they are flapping down they push the body up, and when they are resetting the body falls a bit (or maybe isn't rising as fast?)
I would almost consider animating the body motion first then match the wings to it after.
A "plus" might be to have the feet scramble a bit while he's in mid air... might be overdoing it, might not.
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Bellisimo! Quello è meraviglioso!My short film
just got invited to Italy! -
I don't think any of them made it thru "My life was one of much content"
You're going to need Orson Welles to get lines like that out.
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Depends on your settings. It can also create one bone per finger.
ah, you're right. I had never even used the default setting.
Well, anyway, the manual (installed in the hxt folder) tells all...
Step 7. Pull on the fingers. Just one finger bone is needed because the rotation of the bone is used to control the first joint in the finger, while the roll handle controls the other two joints (see Fig C23). -
TSM2 will create 2 control bones per finger. the last joint of the finger is controlled by rolling the 2nd bone.
I'm able to bend all three bones in my TSM2 rigged character's finger. You should be able too. So I'm guessing some mistake has happened in the process of rigging the character.
to toon or not to toon
in Work In Progress / Sweatbox
Posted
There might be a toon setting that works, but this one look more like "solarized" photography than toon. It's too fragmented.