sprockets The Snowman is coming! Realistic head model by Dan Skelton Vintage character and mo-cap animation by Joe Williamsen Character animation exercise by Steve Shelton an Animated Puppet Parody by Mark R. Largent Sprite Explosion Effect with PRJ included from johnL3D New Radiosity render of 2004 animation with PRJ. Will Sutton's TAR knocks some heads!
sprockets
Recent Posts | Unread Content
Jump to content
Hash, Inc. - Animation:Master

Alpha Shadows


danf

Recommended Posts

I know there's been a lot of alpha channel talk lately, but I don't think this has been touched on-

 

I'm using a .TGA sequence to rotoscope a 3D element into my real footage.

 

soccer-3d-1.jpg

 

One problem is the shadows. While I've read tutorials that suggested making objects that match those in the scene, and then project the same decal from your main camera onto those, I think having a live actor in the shot makes this more complicated.

 

What would be ideal to me as compositor, would be a way to export the ball and some darkness under itself softened by another alpha layer. In my mind the way to do that would be to make the surfaces that receive shadows, and then tell it to render with alpha, but to exclude the surfaces, while including their shading.

 

soccer-3d-2.jpg

 

That sounds partly impossible while I say it, so it might not be the right way, but if anyone knows how to solve this problem in any way, I'd be interested to hear how.

Link to comment
Share on other sites

  • Replies 6
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

  • Admin

If you mean to have a shadow on the foot you'll have to have the geometry there for the shadow to be cast upon.

You could use a simple model (like Thom's leg).

For the floor and cabinets a few simple planes should do.

 

The lighting in your shot may be a little hard to match as you've got shadows on the floor and on the cabinet. I suppose you could match one light at a time and composite the shadows from each separately.

Link to comment
Share on other sites

  • Hash Fellow
Shadow of the ball. If it looks like it's there in that first shot that's a deception. When making contact the lack of shadow is the most conspicuous.

 

If you want the shadow as a separate file you can use "shadow buffers".

 

As noted you will need some geometry in the scene to catch it. in the shadow options for that geom set it to "shadows only" and enable "alpha" and "shadow buffer" in the render options.

 

you will get a file that looks black, but the alpha channel will have the image of the shadow. For compositing.

 

 

You will need to render twice. Once for the ball. Once for the shadow.

Link to comment
Share on other sites

in the shadow options for that geom set it to "shadows only" and enable "alpha" and "shadow buffer" in the render options.

 

you will get a file that looks black, but the alpha channel will have the image of the shadow. For compositing.

 

I was able to do all of this except the shadow buffer... I found a "light buffer" option in the render options, but no shadow buffer. Is there anywhere else I should be looking? Could this be a Mac version difference?

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...