Simon Edmondson Posted May 25, 2014 Posted May 25, 2014 Spotted by a friend who runs the animation course at Norwich UK This is done on an Iphone and mixes drawn animation with stop frame and 'real' life... Impressive idea. Quote
Hash Fellow robcat2075 Posted May 25, 2014 Hash Fellow Posted May 25, 2014 Those are cute! One could do that with A:M! Quote
Simon Edmondson Posted May 26, 2014 Author Posted May 26, 2014 Watch out for the advert at the start but, you may like this time lapse http://www.theguardian.com/world/video/201...timelapse-video Certainly very different to the iphone drawn sequence. Always wanted to go to Australia... simon Quote
NancyGormezano Posted May 26, 2014 Posted May 26, 2014 One could do that with A:M! Wha? How? (you mean using some layering?) I can't figure out how he did those with the iphone (seeing that I don't have one). I know he drew the cells by hand, but matching them up with background (and previous cell) and also hand holding in front of camera looks tricky, fiddly to me, and also requiring some planning Does iphone have an app(s) for superimposing frames? "onion skinning?" Very cute, creative, impressive. Quote
Hash Fellow robcat2075 Posted May 26, 2014 Hash Fellow Posted May 26, 2014 I can't figure out how he did those with the iphone (seeing that I don't have one). I know he drew the cells by hand, but matching them up with background (and previous cell) and also hand holding in front of camera looks tricky, fiddly to me, and also requiring some planning Does iphone have an app(s) for superimposing frames? "onion skinning?" Presuming he really did it "n the camera" I'd say he has the camera on a tripod and lets it run while he holds the cels up in front of it. He probably has noted some background detail in each shot that he uses to align the cels to as he holds them up. Then he takes the video file home and edits out all the switching stuff and leaves just the frames he wants. Or maybe there is an iPhone app that lets him shoot single frames in the field. Maybe he shot a pic of the scene the day before to take home and use as reference for drawing the cels? The ones with live action like the plane suggests a somewhat less spontaneous process with more pre and post work, however. One does not see a plane coming and draw, ink and paint animation cels in a few seconds before it's gone. One could do that with A:M! Wha? How? (you mean using some layering?) Shoot some video for a background rotoscope and put good ol' A:M models and animation in front of it. Quote
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