[Academy on A:M Toon shading]

Thanks Rodney.

By looking at Tips and prj files of Rodney and robcat 2075, I found out the mechanism of dynamics constraints.

It is thanks to you.

[svg test]

Hello johnl3d.

The twinkling star is beautiful.

I tried to open your prj file, but I got an error message. A message appears when it is a version 19 file.

Where can I get version 19?

[Academy on A:M Toon shading]

I tested the dynamics constraints. The physical simulation of "A: M" was easy to use and evolved.

[Academy on A:M Toon shading]

 

 

The body's bone setting was 70%. I paint the line drawing with color using AI "PaintsChainer" of Japan painting color automatically.

http://paintschainer.preferred.tech/index.html

 

And using "Filter Forge" to do manga processing.

[Academy on A:M Toon shading]

 

Thank you Shelton. This topic will teach my research results and setting method.

It is currently under trial and error, so I will tell you when technology is established.

There was a mistake in the rendering setting. It was necessary to turn on toon setting and to turn off all the settings in it.

I noticed that the result was different from preview rendering.

"A: M" outputs very beautiful lines.

[Academy on A:M Toon shading]

 

I modeled a woman 's face. Eyebrows, eyes and mouth are not integrated with the head.

The image is not processed. It keeps outputting as "A: M". The shadow of the hair has some errors.

It is likely to be high quality with a little adjustment.

[Academy on A:M Toon shading]

It is important to place the spline along the human muscle. It becomes an ideal shape by muscle consciousness.

[Random Flametest]

It is a two-dimensional interesting flame.

Thanks Rodney.

I have forgotten the existence of "A: M" for a long time.

I remember again the fun of creation again.

[Academy on A:M Toon shading]

The spline of this model is very small. The smaller one is closer to hand-drawn animation. It is ideal to reduce complicated shapes as much as possible.

Because it is necessary to move the CP directly depending on the scene.

[A.M. ver 3.18]

I had a leaflet of "Playmation" at a company enrolled at that time. "A: M" was a user from version 4. really nostalgic.

[Academy on A:M Toon shading]

 

It is a female element body "Izanami" (Japanese Eve) for games that I am modeling with 'A: M' recently. Line size is 0.8, 25% of the surface color setting. Shading is done with gradient + specular adjustment. I have not set the bones etc in the initial stage yet.

 

It is characterized by the minimum spline production. I think that this can be done only for 'A: M' which can edit CP inclination.

[Academy on A:M Toon shading]

Recently, I am researching ways to process 2-dimensional animation, line drawing animation, illustration of manga and game, commercialize material outputted from Animation Master.

 

Little by little, I think I will announce the results.

I want users who can approve actively participate.

Let's make "A: M" exciting.

At least I want to make this tool known to the world.

It is a wonderful animation tool.

Thank you.

[Welcome to the A:M Forum! Introduce / Reintroduce Yourself]

Thank you everyone.This forum is warm like home.

 

I found a sample file of Robert. I could easily understand the structure of surface constraints.

Thank you. It was very helpful.

Knowledge seems to be buried in the forum.

I will head for excavation.

 

I will join this forum as well. I will report my achievement.

Thank you in the future.

[Welcome to the A:M Forum! Introduce / Reintroduce Yourself]

Hello. Nice to meet you. I am Japanese animation master user.Previously I was working with a handle named Juno. I worked at a Japanese animation and game company.The animation master was version 4 to 10 users.I recently came back to the animation master platform after a long absence.I became independent. And recently I started making works from scratch.I do not have enough knowledge of constraints. Please tell me about "Dynamic Constraints", "Surface", "Bone To Spring". Thank you.